[ As much as Darcy might've liked to get everything out in time, Wonderland had a weird way of screwing up her plans. So, after a solid day's sleep, she starts making her rounds - dropping off gifts on each floor while using a little red wagon. In front of Jemma's door, she'll find a basket that contains:
There's a note dangling from one of the handles that reads:
Hope Wonderland's attempts at holiday cheer didn't go too poorly for you. Here are a few supplies to help get back into the swing of things. Happy Holidays!
[FitzSimmons works. They work hard and they work often, because they don't have to particularly focus on things if they're working. And with the addition of Parker, there's been more to occupy them away from their personal issues.
But sometimes programs need time to compile and chemistry needs time to brew. And then it's just them.]
[The workspace has been pretty quiet as of late, communicating only when necessary and when the work can't speak for itself. She glances up from her hastily scribbled notes, and notes he looks better than he had. Hopefully it was so; the Christmas event had taken so much out of them.]
Of course, Fitz.
[Is her slight smile reassuring? She can only hope so.]
[It seems like every event takes more out of them than the one before. How many times can they be hollowed out and refilled? Are they even the same people they were when they arrived?]
Jane's latest project made me think we ought to adapt some of our power suppression theories to an area here. Sort of like a panic room, in case things go badly. Do these compounds look similar enough to what we had at home?
[What, were they just going to start talking about difficult things now? Pfft.
She looks at what he's scribbled down.]
To my memory, it looks awfully close. [She takes her pencil and corrects a number -- they'd had a lot of trouble with that one.] Maybe just that adjustment.
[What is communication and why would they ever start doing it?]
There might be a new margin of error to accommodate for all the magic bollocks that go on here. Have you gotten to chatting with any of that lot? Absolutely mental, the lot of them.
So you've already dismissed that hypothesis about being forced forward in spacetime.
[Because that's what Fitz is talking about now. He just neglected to announce that he'd already changed subjects without announcing it. Considering magic leads to the idea that events are constructed under magical parameters, which alters the likely probability of events. It's just that he didn't express that direction out loud. Leo Fitz is not great at conversations.]
[She doesn't know what to think about it, to be honest.]
I don't know. I suppose it's a possibility but there are too many questions. Why were we alone in our understanding of the leap? Why were there no memories of home at all?
Quantum Leap -- American science fiction. [Jemma's too big of a Whovian to branch out into other speculative fiction. Alas.]
Because Dr. Beckett was essentially displaced into a time that wasn't his native space, he was the only one aware of the disturbance he created. Thus, when we stepped into a different time, we didn't stop being ourselves. Even if that time reflects a space where we've all ceased to be who we are.
[Between them is the awkward dissonance between the proposed future and their present. She doesn't know, but suspects -- if his alternate was anything like hers, the temptation of something that beautiful and uncomplicated was great.]
[Truthfully, she's not sure, either. After that much sleep deprivation, the only way she knew if she was in this world or the other was the ring she wore.
She doesn't look up at him, lest she give some of her guilty conscience away.]
An anxiety-free existence, even if you're not sure what's going on or why? Of course it is. Or it can be.
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