Hey. Does this one make you feel better? Figured we could at least try to make you comfortable.
[There's still nobody visible, but the sound is as clear as if someone was directly beside her. It's a man's voice, speaking in a clear American accent.]
[If she looked scared before, the disembodied voice didn't do much for her, either. She jumped, and calmed only a little when there was just the empty space there. And she's not exactly sure what T-3600 is supposed to measure, nor who she's speaking to.]
Of course I'm here. Same as you. What, you want to keep playing with avatars?
[When she blinks next, there'll be a man settled beside her, the sort of person who looks like he might be better suited for rugby than running complicated mathematics. He's settled in a blue patient's gown, for effect. It matches the theme.]
I'm a wireless integer logistical locutory. But that's a mouthful, so just Will is fine.
What about you? You seem a little tentative about your own function here.
[This upjumped bit of circuitry had a lot of nerve, telling her that she didn't know what she was doing. She regrets the thought as soon as she has it, after all, there were people who would say the same about Fitz. But still, the utter impertinence!]
I am very much sure of what I should be doing. I'm supposed to initiate the diagnostics within the holosuite until the problem is found, and then Fitz and I will find a solution.
[The upjumped bit of circuitry might be sassing her.]
Well then go right ahead, Miss Judicious Encryption Motherboard Macro Analog. Continue your testing process. If you're running a Fitz-level program, you've definitely got a bypass through the firewalls.
What do you mean, "out"? Of the scenario, you mean? Here, I'll show you.
[His physical form doesn't move, but Jemma will be aware of something else outside of the traditional realm of her awareness. There's something abstract, a world of ones and zeroes. Something is toggled, and then the medbay dissolves back into the blackness from before.]
If you want any of the sequences to run, you'll have to wait for someone to power the system back on.
[Of course, the computer goes to sleep when no one is using it. But this isn't the same. She takes in a deep breath through her nose, and lets it out slowly.]
I'm not running any scan. I was meant to be doing so, but clearly this has gone somewhat haywire, and I've somehow... been absorbed into the program.
[That sounds even dumber coming out of her mouth than it did in her head.]
[Yeah, it's pretty dumb. He bursts into laughter.]
That's so not how this works. Hey, do you have some bad code in you? I mean, it'd be weird to run a diagnostic on a JEMMA, but there are enough checks and balances that I could probably at least identify and quarantine.
[And then further conversation is cut off. The whiteness returns for a moment, but something else quickly floods in to fill it.
The music is a sassy piano routine, a welcoming tune to greet newcomers to a saloon from 1800s America. Will is settled behind the bar, in a white dress shirt with a red vest, suddenly sporting a handlebar mustache.
the bar is populated with a number of other types, Western-styled men and women chattering noisily. They're all in full view from Jemma's vantage point, as she seems to be settled onstage. Her own costume is a full saloon girl, down to an oversized feather in her hair.
And though she might be strong enough to fight it, she might experience the oddest compulsion to dance.]
[That music is pretty catchy, but what is she wearing, and no stop tapping this instant, foot. Those populating the saloon are kind of oddly formed, like an animated rendering of a real person from just this side of the uncanny valley.
Since this is a simulation of some kind, she has no problem what so ever calling to Will over the music.]
[He looks up to her, speaking pleasantly with a deep Southern drawl.]
Tending my bar, Ma'am. 'Taint gonna do much good if I try to make people drink out of dirty glasses.
[He returns back to wiping down glassware, and the saloon's double doors open. The new entrants are wireframe figures, humanoid in movement but mostly featureless aside from their period-appropriate clothing.
and though it's impossible to tell who's here, they're definitely using technical lingo. One of them mentions the normal refresh rate for the projections, and another comments on the horribly outdated textures. Can't they just scrap the entire suite and get a less-broken model?]
[She's about to reply that his mustache looks ridiculous, because that is the best answer she has at the moment, but the interruption catches her attention. It only takes her seconds before she jumps off the stage and hurries over.]
Hello, this is science officer Jemma Simmons --
[They're not paying attention.]
Hello?
[Right. Of course they can't hear her. Because that would be easy.]
[ "And this one's not even running the program right." One of them grabs Jemma's shoulders and turns her back toward the stage. "I used to play this one all the time when I was a kid. The girl dances until the barfight--"
Two of the cowboys knock over a table then, shoving one another into the bar. The patrons gasp in unison, attention diverting to the action at hand.
"There it is. Maybe she's just running off-timer or something..." ]
no subject
[There's still nobody visible, but the sound is as clear as if someone was directly beside her. It's a man's voice, speaking in a clear American accent.]
You looked pretty scared about T-3600 ago.
no subject
It'll do.
[Because, hey, at least this space is defined.]
Why are you unable to run system diagnostics?
no subject
[It pauses for long enough to take a breath, if disembodied voices had the ability to even do that.]
Why did you jump just now?
no subject
Because I am not a computer, I am a human being who decides what to do with the results once I have them.
And I'm speaking to someone who isn't here, but--
[He -- it -- is so close it should be speaking right in her ear.]
Who are you, exactly?
no subject
[When she blinks next, there'll be a man settled beside her, the sort of person who looks like he might be better suited for rugby than running complicated mathematics. He's settled in a blue patient's gown, for effect. It matches the theme.]
I'm a wireless integer logistical locutory. But that's a mouthful, so just Will is fine.
What about you? You seem a little tentative about your own function here.
no subject
I am very much sure of what I should be doing. I'm supposed to initiate the diagnostics within the holosuite until the problem is found, and then Fitz and I will find a solution.
[So there.]
no subject
[The upjumped bit of circuitry might be sassing her.]
Well then go right ahead, Miss Judicious Encryption Motherboard Macro Analog. Continue your testing process. If you're running a Fitz-level program, you've definitely got a bypass through the firewalls.
no subject
My name is Jemma. I'm a person.
[Does it know what a person is?]
I'm not a computer.
no subject
Is this your way of checking for a virus? Users don't just hang around when the suite is powered down.
no subject
no subject
[He laughs at that, revealing rows of perfect white teeth.]
I guess you don't. You might just have to trust me on that one.
no subject
Okay, this is...clearly a rather enormous malfunction that is going to require more than a simple scan.
How do I get out of here?
no subject
[His physical form doesn't move, but Jemma will be aware of something else outside of the traditional realm of her awareness. There's something abstract, a world of ones and zeroes. Something is toggled, and then the medbay dissolves back into the blackness from before.]
If you want any of the sequences to run, you'll have to wait for someone to power the system back on.
no subject
[How could that be? The system was designed to be on when the presence of a humans.]
no subject
Yeah, that's why I couldn't fill your setting with AI. Why are you acting like that's weird?
no subject
no subject
Look, lady. I don't know what kind of scan you think you're running, but it sounds a whole lot like you don't know what you're talking about.
no subject
I'm not running any scan. I was meant to be doing so, but clearly this has gone somewhat haywire, and I've somehow... been absorbed into the program.
[That sounds even dumber coming out of her mouth than it did in her head.]
no subject
That's so not how this works. Hey, do you have some bad code in you? I mean, it'd be weird to run a diagnostic on a JEMMA, but there are enough checks and balances that I could probably at least identify and quarantine.
no subject
I'm a person, not a program. There's been a malfunction and I need to leave.
no subject
[And then further conversation is cut off. The whiteness returns for a moment, but something else quickly floods in to fill it.
The music is a sassy piano routine, a welcoming tune to greet newcomers to a saloon from 1800s America. Will is settled behind the bar, in a white dress shirt with a red vest, suddenly sporting a handlebar mustache.
the bar is populated with a number of other types, Western-styled men and women chattering noisily. They're all in full view from Jemma's vantage point, as she seems to be settled onstage. Her own costume is a full saloon girl, down to an oversized feather in her hair.
And though she might be strong enough to fight it, she might experience the oddest compulsion to dance.]
no subject
Since this is a simulation of some kind, she has no problem what so ever calling to Will over the music.]
What the bloody hell are you doing?
no subject
Tending my bar, Ma'am. 'Taint gonna do much good if I try to make people drink out of dirty glasses.
[He returns back to wiping down glassware, and the saloon's double doors open. The new entrants are wireframe figures, humanoid in movement but mostly featureless aside from their period-appropriate clothing.
and though it's impossible to tell who's here, they're definitely using technical lingo. One of them mentions the normal refresh rate for the projections, and another comments on the horribly outdated textures. Can't they just scrap the entire suite and get a less-broken model?]
no subject
Hello, this is science officer Jemma Simmons --
[They're not paying attention.]
Hello?
[Right. Of course they can't hear her. Because that would be easy.]
no subject
"And this one's not even running the program right." One of them grabs Jemma's shoulders and turns her back toward the stage. "I used to play this one all the time when I was a kid. The girl dances until the barfight--"
Two of the cowboys knock over a table then, shoving one another into the bar. The patrons gasp in unison, attention diverting to the action at hand.
"There it is. Maybe she's just running off-timer or something..."
]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...